Harry Potter and the Chamber of Secrets (2002)įan consensus generally puts Chamber of Secrets in last place, which is understandable if a little unfair. It’s an epic conclusion, but an empty standalone.ħ. It’s maybe a more cinematic sendoff, and there’s no need for slavish devotion to the book, but the sequence derails the last act, and the movie doesn’t have much else to stand on. Instead, he turns himself into ribbon, flies off a building, mind-melds with Harry, and eventually cracks apart and dissolves into the air like ash. But in the film, Harry chases Voldemort through Hogwarts in an increasingly goofy series of escapades that erodes the idea of Voldemort as the thing he fears most: a mortal man. The book ends with a confrontation between Harry and Voldemort that is chilling in its formality: Harry undresses Voldemort with words, calling him “Tom” while every student and teacher in Hogwarts watches on, and kills him with a blunt simplicity that stands in contrast to the mystical villain the world expected him to be. But did it really need (almost) a whole movie? In an effort to fill its runtime, the back half draws out certain sequences to the point of ridiculousness. But the fracturing of Parts I and II prove detrimental for this installment, as it’s stifled by "single location syndrome." The Battle of Hogwarts is a major part of the seventh book, and the sheer magnitude of the event is worthy of the attention Pt.
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